This

On writing, Hemingway said: "From things that have happened and from things as they exist and from all things that you know and all those you cannot know, you make something through your invention that is not a representation but a whole new thing truer than anything true and alive, and you make it alive, and if you make it well enough, you give it immortality." from the Writers Almanac...

A Slave Pen

      I wrote about the slave pens in (and under) Washington, DC in the novel I am sending out to agents now, but I didn't really know what they might have looked like. I wrote the scene from my imagination. Today this photo came across my Facebook feed. I guess a slave pen doesn't really require much imagination. I did not think up having a soldier on duty, but these photos would have been taken at a later date than I was writing of.


       http://ghostsofdc.org/2016/07/18/alexandria-slave-pen-look-like/

It's me, Tammi

      She is one of my heroes. Seeing her last night was moving and memorable. And there are legions of me. The Music Hall last night was filled with fans, and she has adoring readers all over the world. I wasn't surprised to see that last night, but was really touched by the amazing age range of her fans. I think that is something few writers have achieved. To fill an auditorium with devoted readers from ages 7 to 70 is truly remarkable.
      Judy Blume is a beautiful person, inside and out; a gifted storyteller, a serious censorship activist, and now too, a book store operator. Her life is the envy of many a writer like me; bungling along trying to keep the lights on, sometimes with no one at all believing in our work. But oh how she gives me hope, ~ that it can be done, with grace and beauty and fearlessness.

Jonesing for a little less McConaughey

     Last night I went to see Free State of Jones (directed by Gary Ross who also wrote the screen play). I had been looking forward to seeing it, and went expecting to like it, because I tend to love period drama, especially when it is about American history. I also went knowing it was getting some criticism for being yet another white savior film. I kept that in mind throughout my viewing of the film.
     No question - Matthew McConaughey definitely portrays real life figure Newton Knight as a white savior. I left the film, fairly satisfied with the overall movie experience, thinking that whether or not the criticism is fair could only be determined by knowing how accurate the portrayal of the real man actually is. Was Knight a savior?
      So as is my way, I've been doing some morning after research. Conclusion - most definitely a white savior film.
       Knight was an unusual and controversial man while alive and accounts of his life are too. They are also highly contradictory depending on who was doing the telling over the years. He did lead the rebellion and did present a declaration of independence to General Sherman. Definitely was a ballsy guy. His personal life, though, sounds a lot shadier than the pious gentleman portrayed in the film. He fathered many children with his white wife Serena, and with Rachel, his love interest in the film, and the two women were not likely to have had the very amiable sister-wife relationship the movie implied they did. There is at least one allegation that he also had children by one of Rachel's children. It all sounds like a cult figure who was trying to establish a kingdom while playing, quite deliberately, with the color of his creations. Seriously, icky.
     In what I admit was very limited research my conclusion is that there were real saviors in the story of the Free Jones State. And they were the women. Black, white and mixed race women, both free and enslaved, who kept the men of the rebellion alive with their heroic acts of bravery, sacrifice, and risk, in both helping them survive in hiding and in keeping the failing Mississippi farms going by themselves.
      What a different film this would have been if Rachel had been portrayed as the primary hero, and Newt was the secondary character. The movie does give her some credit, and she is brilliantly portrayed, by Gugu Mbatha-Raw, as a strong and kind woman but she too is shown as being saved by Knight in a number of ways.
       I would have loved to see the stories of the women explored more fully, and more fairly. Newt and his men could not have done what they did without them.
      Having spent the last five years writing the story of a self-emancipated black woman I do understand how hard it is to do so accurately because of the lack of recorded information about their lives, but that doesn't mean it can't be done. And we all know the real reason Hollywood keeps making movies with a white male savior. It is because they think that white audiences require the trope. They think this for a reason, they want to make money. I don't think it is true for all white viewers. I know I want accuracy, but based on the number of white people I heard say they refused to see Twelve Years a Slave, (citing violence as if they never watch films with violence) showed me this really is a problem for many. Still I can't imagine anyone seeing this film that wouldn't agree McConaughey dominated the screen to excess, but that is just my take. I do concede that the battle scenes, pertinent to Knight's story, are the least interesting part of the story to me, and that effects my assessment.
       Newt's final actions may tell us that he thought Rachel something of a hero too, as he did chose to be buried beside her when mixed race burials were not allowed. She had died much earlier at age 49, by some reports from bearing too many babies, one every two years from the age of thirteen.


       There is no proof but many believe this image to be the woman known as Rachel Knight.


Here is something from the Smithsonian with the official trailer for the movie:


http://www.smithsonianmag.com/history/true-story-free-state-jones-180958111/?no-ist

Almost, but no cigar

I've just learned that I am a runner up for a scholarship to attend a conference I am interested in. That likely means I will not be attending, but maybe seems to be a big part of my life as a writer, so ... we shall see.

Here is the announcement from the MWPA that came out this morning:

---

​The MWPA is thrilled to announce that Cecelia H. and Kate Ver P. have both won scholarships to attend the Sixth Annual Slice Literary Writers’ Conference in downtown Brooklyn, New York on September 10 and 11.

Congratulations to both C​

​ecelia and Kate! Their scholarships include:​

• Fees for both days of the Sixth Annual Slice Literary Writers’ Conference

​.​

• The option for two one-on-one editor/agent meetings: “Ask (Almost) Anything” and “Quick Pitch.”
• A $250 cash honorarium

​.​

​The jurors also named Tammi Truax as runner-up, and Elisha E. and Meghan G. as finalists.  ​

​Thank you to all who submitted!

My Mash Story

       I really enjoy entering the flash fiction competitions at Mash Stories and recently had this story shortlisted. It did well, but I didn't win. I recommend it as an excellent writing exercise. Every entry must have the three random words assigned included. It is fun to see how varied interpretations can be. I which I could transfer the graphic they included with my story, which was pretty cool. Sorry about the yelling here, I can't make it hush up.

SEMPER FI, MAC 

by Tammi Traux Views: 745

Sitting down here, the way I do, I’ve taken to looking at their shoes. Just their shoes. It’s a dizzying thing, some days, watching the hundreds of shoes as they make their way past me. All sorts of shoes. You’ve got your practical and your pretty. You’ve got those as noisy as a rocket launcher and those as silent as a sniper in the night. You’ve got your cheap flip-flopping plastics and your hand-crafted Italian leather masterpieces. The quality of the shoe tells you nothing about the possibility of conversion.

Almost all of the shoes are in a hurry, and most, when they see my filthy and worn-out old combat boots sticking out, pick up speed. They skirt past me as quickly as shoes can without breaking into a run. I can measure that with my eyes. I am well trained in such matters. I only look up when there is an adjustment to their speed; either a hitch that slows them, even momentarily, or an actual pause for whatever reason. Then, and only then, do I bother to look up, scanning from their shoes upward. Out of force of habit, I guess, I check to see if the hands hold a weapon, then I scan straight up to the eyes.

I stare, locking them into direct eye contact, looking for the soul that might be in there, to see if there might be anything in there for me. Any kind of compassion for a sick and broken veteran of a foreign war. A soldier knows that when you come eye to eye with a man you can usually see if he is willing to kill you or not. You can also see if he will help you or not. It is all in the eyes if you know how to look. Also, if I focus on the eyes, I don’t have to see the mo

uths, aghast and agape, or the nose, often covered in revulsion, or the brow, usually contracted into creases of confusion and dismay.

Then I hold out my mug. I move my arm forward and upward slowly, so as not to startle. Also silently. What needs to be said? One can see that my cup is empty. On those rare occasions when the shoes stop, and the eyes see me, and they reach inside themselves and find something to put in my cup, I feel that old sense of ambivalent accomplishment as I did each time I fulfilled my orders in Kuwait. I made a change, but will it last? Still, I fight on.

I am a converter. This is my Tin Cup Trip. The Commander-in-Chief said we are establishing a new world order. Spreading democracy far and wide. With liberty and justice for all. That is it. Liberty and justice. Happiness and comfort are irrelevant pursuits. My mission is still to build coalitions, to end hostilities. I will not quit. This is what I do.

As you were.

MWPA

 I have been very impressed with this organization since I move to Maine two years ago.                              



                                              

More about the dead guys I love...

     The children had the week off and though I still worked half-time I devoted most of the week to my writing  ~  which felt wonderful.
     I finished my last round of edits to To Get Quit removing 315 extraneous words and fixing one big error that my editor (the brilliant Nancy Grossman) found that none of my beta readers had noticed. (I had cicadas singing in January.) The manuscript felt really tight and finished. So I sent it out, writing 12 query letters to my top choices of agents and the one publisher who has already asked for the full manuscript. Now comes the excruciatingly hard part of waiting for responses. Often no response ever comes which makes the whole process more difficult.
     I was also encouraged this week by hearing that one of my beta readers, a well-read professional historian, said "you wrote about slavery in the best way that anyone ever has", and that she would be happy to have her quote on the jacket or insert of the book. Pretty high praise. To be honest I was happy enough to know that the story was still fresh in her mind six months later. 
     So I am feeling like that novel is doing what it is supposed to be doing, and must turn my attention to my latest; a completed middle grade novel that one might think is about elephants (it is) but is also about slavery and American History and what it means to be human and humane. 


Every where I go I seem to run into him. I found the profile of this bust at The Currier Museum of Art so much more attractive. Looking good George!

      I also took a little time off this week to take my friend Kate (Portsmouth NH Poet Laureate) on a birthday road trip to see the first folio. I have to confess that it might have been a little anti climatic. He never touched it. It was written after his death. It is of course an incredibly important document (necessitating that I be scolded by an overzealous docent when my jacket brushed the glass) as it saved many of the plays from disappearing. We can all be thankful for that, and I am thankful that the folio is on tour so that so many of us can see it. They did let me take pics, so here you go;

My shortlisted short.

     I participated in the Mash writing competition a few times just for fun. I love the challenge they present; three unrelated words that must be used unchanged in a story of no more than 500 words. I use it as an exercise to build my writing muscles, and was truly surprised to hear that my last entry was shortlisted and is now in the final running! Mine, called  Semper Fi, Mac, is being viewed all over the www with the other finalist pieces, and the winner is chosen by the popular vote of readers. Please check it out:

      http://www.mashstories.com/shortlist/semper-fi-mac/

      I really love the graphic!

My new job

       I haven't had the energy or material to blog since I started my new job as a lead teacher in a Head Start classroom. The work is intense! With what little writing energy I have at the end of the day, I have been keeping a private diary about the work on Penzu. I wont be able to share most of it, but just this one time will share the entry I wrote this morning. I am keeping the journal mostly for myself - it is necessary to process each day in a reflective way and writing really helps with that, but I am also considering that it might make a good book some day that could help Head Start get the recognition and funding it needs.

        Looks like I wasn't able to write an entry here all week. I am not surprised as that was not an easy week. I'll recap what I can. Not sure how many times I was punched and kicked this week. Got stuck cleaning toilets and sweeping up mud for lack of a janitor. Not sure how many scheduled meetings were blown off by the other party (at least 3).
        Here's some of the good stuff: We were finishing up our Ezra Jack Keats author/illustrator study which was a phenomenal success. I have made a lot of progress in winning these kids over to book loving in a short time, though there is still a lot of work to be done. The collage study was not nearly as successful. I have never seen preschoolers as uninterested in messing around with creative materials as these. I am not sure why that is. One factor, I think, is the DP area which I have been giving a lot of thought to. It is very popular with this group, especially a handful of girls who play there during free choice period and rarely do anything else voluntarily. I don't think they are learning anything new there, just rehashing skills they have mastered. I want to take the whole thing down for awhile. Sounds simple I know. Of course I should be free to do that if I think it is in the best interest of my students. And at this point I'm sure it is. The adjoining block area is too small and I'd really like to expand it so that the learning there is expanded. But there are a lot of rigid rules governing these HS classrooms, and even though I was specifically hired to do some things differently, there is a lot of blow back when I do, and I haven't done anything big yet! They use the Creative Curriculum which requires a dramatic play area be present. These are the kinds of foolish requirements that hobble me.
     While the first round of parent conferences were not successful (clearly meeting with a teacher is not something these parents are excited to do which is a reflection of the poor self esteem they have about their parenting, another thing I'll be working on.) I did make some progress with parents this week in small interactions. And Wacky Hat day on Friday was a good, no-fail way to get some in-kind participation from several families.
     It also became clear to me this week, via a couple of migraine headaches, that I will have to be ridiculously firm about both parents and other HS staff members not bringing any chaos into the room. I will have to be almost militant about protecting the calm atmosphere I am working so hard to build from the crazy amount of disruption adults are bringing into the room. The parents at drop-off and pick-up, often with other children in tow, and other HS staff who think nothing of popping in and out of the room whenever they want which of course is a disruption, especially so for my vulnerable class, so easily distracted. I already instituted a no cell phone policy, now unfortunately I have to start policing the doorway. I hate doing that because none of these adults should have to be told to be respectful. For the four hours I have these kids the time and space within these four walls is going to be all about them and nothing else. Everything else can wait or happen out in the hall. Period.

Talking to Tomie

      I recently had the privilege of interviewing and writing about one of my literary heroes. I had been to a lecture he gave once, but never had the chance to talk to him. Talking to Tomie dePaola was as thrilling for me as I imagined. Hearing the sweet sound of his youthful giggle at something I said was about as good as it gets!
      It isn't just his laugh that is youthful. Everything about him is, and I suspect it is that joyful orientation to the world that keeps him that way. There is much to be learned from him.
      Below is a link to the article I wrote (pages 14 and 15). I'm not sure how or why the editor chose "The Lucky One" as a title, but I do know that I was the lucky one in our exchange.

http://portsmouthherald.nh.newsmemory.com/loadPage.php?token=38PX1%252BHO5d7VqKrG5MPR0sbix5SVnpKrmpNzc5ChsMa8lL21s5C8wsSWr6GQkKI%253D


      And here he is cutting up with Becky Rule at the talk I heard him give for the NH Humanities Council (I teach in their Connections Literacy program) last year. Also a treat.

My Valentiny PB Entry

How To Ungrump A Bad Day

It was February 13th, the day before Valentine’s Day.

It got off to a very bad start, when I fell out of bed,

whacking my head, on the floor, kerplunky!

Then my Mommy made me some

icky oatmeal which I just stirred and stirred

until it was cold and clumpy.

She said we had to hurry up

and made that scrunched-up face

that I said makes her look so frumpy.

She seemed mad, and drove to preschool

with the radio on, while I rode along

in my car seat, on the road so bumpy.

I would not say good-bye to her

so she left without a kiss or hug

and I felt sad and mad and jumpy.

I was staring out the window when

my teacher said, “Hey there friend,

why so down-in the-dumpsey?”

Then she helped me make a valentine,

with so much paper held with glitter

and glue that it was kind of lumpy!

When my Mom came, I gave it to her.

She hugged me, and just like mine,

I could feel her heart go thumpy.

We went home then,

to start again,

and neither of us felt grumpy.

by Tammi J Truax

My Life-changing Book

        I am happy to be included on this list:

http://mainewriters.org/life-changing-books/#more-4310  

TAMMI TRUAX
The Grapes of Wrath
John Steinbeck

While many books have had a profound effect on me, I think I must choose The Grapes of Wrath as the most influential. It is not only a completely engrossing story about an American family at a particular point in time rendered in gorgeously crafted sentences, it further taught me that writing can be a form of protest, that writing can be a contribution to social justice as well as to art, and that realization changed me as a writer.

   

Blank Page Poetry video

      Below you will find the final version of the Blank Page Poetry project that took place at 3S Artspace in Portsmouth, New Hampshire. I was proud and privileged to be one of the poets chosen to participate. A team of poets and dancers volunteered many hours to bring the vision of Savannah artist Jerome Meadows to fruition and performed to a standing room only crowd in October of 2015. The filming of it failed so what follows is a reconstruction using mostly still photographs Jerome and photographer David Murray made happen. The video is fairly long. I come in at 11:40 and at 31:20, but my performance is no more important than any other, and the introduction is very important.

Blank Page Poetry

     Below you will find the final version of the Blank Page Poetry project that took place at 3S Artspace in Portsmouth, New Hampshire. I was proud and privileged to be one of the poets chosen to participate. A team of poets and dancers volunteered many hours to bring the vision of Savannah artist Jerome Meadows to fruition and performed this show to a standing room only crowd in October of 2015. The filming of it failed so what follows is a reconstruction using mostly still photographs Jerome and photographer David Murray made happen. The video is fairly long. I come in at 11:40 and at 31:20, but my performance is no more important than any other, and the introduction is very important.

Bowie's books

A couple of years ago David Bowie shared this list of his favorite books on his Facebook page. I sure have got some work to do!

David Bowie's Top 100 Reads:

1. Interviews With Francis Bacon by David Sylvester
2. Billy Liar by Keith Waterhouse
3. Room At The Top by John Braine
4. On Having No Head by Douglass Harding
5. Kafka Was The Rage by Anatole Broyard
6. A Clockwork Orange by Anthony Burgess
7. City Of Night by John Rechy
8. The Brief Wondrous Life Of Oscar Wao by Junot Diaz
9. Madame Bovary by Gustave Flaubert
10. Iliad by Homer
11. As I Lay Dying by William Faulkner
12. Tadanori Yokoo by Tadanori Yokoo
13. Berlin Alexanderplatz by Alfred Döblin
14. Inside The Whale And Other Essays by George Orwell
15. Mr. Norris Changes Trains by Christopher Isherwood
16. Halls Dictionary Of Subjects And Symbols In Art by James A. Hall
17. David Bomberg by Richard Cork
18. Blast by Wyndham Lewis
19. Passing by Nella Larson
20. Beyond The Brillo Box by Arthur C. Danto
21. The Origin Of Consciousness In The Breakdown Of The Bicameral Mind by Julian Jaynes
22. In Bluebeard’s Castle by George Steiner
23. Hawksmoor by Peter Ackroyd
24. The Divided Self by R. D. Laing
25. The Stranger by Albert Camus
26. Infants Of The Spring by Wallace Thurman
27. The Quest For Christa T by Christa Wolf
28. The Songlines by Bruce Chatwin
29. Nights At The Circus by Angela Carter
30. The Master And Margarita by Mikhail Bulgakov
31. The Prime Of Miss Jean Brodie by Muriel Spark
32. Lolita by Vladimir Nabokov
33. Herzog by Saul Bellow
34. Puckoon by Spike Milligan
35. Black Boy by Richard Wright
36. The Great Gatsby by F. Scott Fitzgerald
37. The Sailor Who Fell From Grace With The Sea by Yukio Mishima
38. Darkness At Noon by Arthur Koestler
39. The Waste Land by T.S. Elliot
40. McTeague by Frank Norris
41. Money by Martin Amis
42. The Outsider by Colin Wilson
43. Strange People by Frank Edwards
44. English Journey by J.B. Priestley
45. A Confederacy Of Dunces by John Kennedy Toole
46. The Day Of The Locust by Nathanael West
47. 1984 by George Orwell
48. The Life And Times Of Little Richard by Charles White
49. Awopbopaloobop Alopbamboom: The Golden Age of Rock by Nik Cohn
50. Mystery Train by Greil Marcus
51. Beano (comic, ’50s)
52. Raw (comic, ’80s)
53. White Noise by Don DeLillo
54. Sweet Soul Music: Rhythm And Blues And The Southern Dream Of Freedom by Peter Guralnick
55. Silence: Lectures And Writing by John Cage
56. Writers At Work: The Paris Review Interviews edited by Malcolm Cowley
57. The Sound Of The City: The Rise Of Rock And Roll by Charlie Gillete
58. Octobriana And The Russian Underground by Peter Sadecky
59. The Street by Ann Petry
60. Wonder Boys by Michael Chabon
61. Last Exit To Brooklyn By Hubert Selby, Jr.
62. A People’s History Of The United States by Howard Zinn
63. The Age Of American Unreason by Susan Jacoby
64. Metropolitan Life by Fran Lebowitz
65. The Coast Of Utopia by Tom Stoppard
66. The Bridge by Hart Crane
67. All The Emperor’s Horses by David Kidd
68. Fingersmith by Sarah Waters
69. Earthly Powers by Anthony Burgess
70. The 42nd Parallel by John Dos Passos
71. Tales Of Beatnik Glory by Ed Saunders
72. The Bird Artist by Howard Norman
73. Nowhere To Run The Story Of Soul Music by Gerri Hirshey
74. Before The Deluge by Otto Friedrich
75. Sexual Personae: Art And Decadence From Nefertiti To Emily Dickinson by Camille Paglia
76. The American Way Of Death by Jessica Mitford
77. In Cold Blood by Truman Capote
78. Lady Chatterly’s Lover by D.H. Lawrence
79. Teenage by Jon Savage
80. Vile Bodies by Evelyn Waugh
81. The Hidden Persuaders by Vance Packard
82. The Fire Next Time by James Baldwin
83. Viz (comic, early ’80s)
84. Private Eye (satirical magazine, ’60s – ’80s)
85. Selected Poems by Frank O’Hara
86. The Trial Of Henry Kissinger by Christopher Hitchens
87. Flaubert’s Parrot by Julian Barnes
88. Maldoror by Comte de Lautréamont
89. On The Road by Jack Kerouac
90. Mr. Wilson’s Cabinet of Wonder by Lawrence Weschler
91. Zanoni by Edward Bulwer-Lytton
92. Transcendental Magic, Its Doctrine and Ritual by Eliphas Lévi
93. The Gnostic Gospels by Elaine Pagels
94. The Leopard by Giusseppe Di Lampedusa
95. Inferno by Dante Alighieri
96. A Grave For A Dolphin by Alberto Denti di Pirajno
97. The Insult by Rupert Thomson
98. In Between The Sheets by Ian McEwan
99. A People’s Tragedy by Orlando Figes
100. Journey Into The Whirlwind by Eugenia Ginzburg

Busting Out Of The Box

       Happy Boxing Day!

       Today I'd like to celebrate writing outside of the box, which is what I did when I dove into NaNoWriMo at the last minute. I did that when a story idea came to me while driving in the car, listening to NHPR. I came home and started researching immediately, and knew I had come upon a story that would make a great middle grade novel. Since those usually clock in at around 50,000 words I accepted that the universe was telling me to give NaNoWriMo a real try this year. So I dove in. And I did it! A completed first draft novel of 50,000 words written in one month - still surprising to me. It was hard work, but fun, and of course, very rewarding.

      Without those serendipitous inspirations, that I didn't have time to over-think, I am sure that I wouldn't have tried my hand at writing a historical novel for kids about elephants. A subject I knew damn near nothing about before I started. I don't think I would have thought myself capable of writing from an elephant's perspective before I tried it. One just doesn't know what she can do until she gives it a try!

       For a month or two I'll let the first draft sit, before I begin revising it, but I expect to have something worth submitting when the snows melt. Assuming that the snows are coming. 

       Here is an actual broadside about the subject of my story, which turned out to be about slavery as well as elephants, and life in Colonial America, and so it is about freedom and respect for life.

A Holiday Haiku

A Holiday Haiku for you

 

Stumbling through the year

finally, when darkness peaks,

we see the north star.

by Tammi J Truax

My Last Column

   http://www.seacoastonline.com/article/20151208/ENTERTAINMENTLIFE/151209461/0/SEARCH

Happy Veteran's Day

    Here is an image of the original Purple Heart (C. 1782) as it was designed by General George Washington to reward soldiers of any rank for "unusual gallantry" and "extraordinary fidelity". He is only known to have presented it to three men. This moment in history is included in my novel To Get Quit, currently seeking representation.


                                    

Blank Page Poetry - Words and Shadows: Truths That Arise Remembered

      Last week I was part of a volunteer cast that participated in an extraordinary multi-disciplinary event called Blank Page Poetry - Words and Shadows: Truths That Arise Remembered.      
      The show was conceived of and directed by visual artist Jerome Meadows of Savannah, Georgia. Jerome first came to Portsmouth to design the memorial park acknowledging, for the first time since it was built over, our town's African Burying Ground. Blank Page Poetry was an offering of artistic responses to the memorial. I was one of the eleven poets chosen to share a response poem. We performed behind a blank screen showing only our shadows, along with a few words we chose to take from our poems to be digitally projected on the screen during our recitations. The readings were enhanced by choreographed movements we designed, with Jerome's input, to accentuate our words. The audience saw only our black shadows on the white screen, with a few of our words highlighted, while we recited and embodied our poems. The Neoteric Dance Collaborative also performed an ekphrastic piece choreographed by Brea Cali.

    It was an incredibly meaningful experience to participate in, about a subject that already was so meaningful to me. Beyond that it was wonderful to tackle a new art form, and to collaborate with others to communicate to a wider audience. I hope that the SRO crowd of two hundred was as moved as I was, and from the few reports that I have heard, they were. I was privileged to have stood "for those who survived upon these shores."
     I share below one of the two poems I wrote that were part of the show, along with an image of
Jerome's sculpture that inspired it.

I'm on the left with poet Priscilla Cookson on right.

These four photos by Sarah Flause.

The Female Figure

Mother Africa reaches for her children

but her hand can not get to them.

Anymore.

They, like so many of her treasures,

have slipped from her grasp.

And no one can see

her great mother grief

as her quiet tears

fall into the sea

that takes her young.

And no one can feel

the searing heart pain

in her engorged breast

as her milk dries

for want of suckle.

And no one can know

her spiritual sorrow

as she wonders,     forever,

where now     will her children

be laid to rest?

all rights reserved


                                

Seacoastonline gallery photo of artist Jerome Meadows speaking to a crowd near The Female Figure at The African Burying Ground in Portsmouth, New Hampshire.

Back In My Own Room

A Little ChickLit for my 2015 AROHO Sisters

     “The sky is falling! The sky is falling!’ yelled Chicken Little. She’d been running around for quite some time, crossing roads without reason, like herself with her head cut off.
“Yes, it is dear,” said her plucky elders. “Come and lie down with us. See, feel, hear, how beautiful the falling sky is.” They made a space for her on their blanket where they watched the enormous sky above, willing it to fall. Naturally, it did. Spectacularly, it did. Their collective energy moved the stars, created new constellations, reshaped heaven.
So she stopped being Chicken. Then she stopped being Little. Now she is a huge hen. Each of her feathers a quill for writing stories as big and infinite as the sky. She is content in knowing she will live mostly happily ever after if she does. Though she will stop occasionally to do that funky chicken dance.

     With the exception of the silly little ditty above, I have been putting off my post-AROHO blog post for a long time. Re-entry, as we like to call it, was especially difficult this time. Much more so than in 2013. That summer, upon my return to real life, I felt like a fish, immersed in a swift current I belonged in and knew how to navigate. This year, I feel more like a fish that has mishapped out of the stream, gasping and flopping about, foolishly expending energy meant for a more graceful purpose.

     But I am not a fish. I am quite capable of righting myself, and wading, or even taking a headlong dive, back in. So I'm now sharing my original thoughts. I thought of deleting them, but could not. Though delayed, they have not changed much. This is what I came home with.

    The opportunity to work and commune with Maxine Hong Kingston, Janet Fitch, Breena Clarke, and more than 100 other women writers, is to make constellations on the surface of the earth, while at night the heavens try to tease with the fast bright trains of the Perseids. It is all meteoric. A transient brilliance. A big, ballsy, white hot celestial rarity. You can bear it witness, but you cannot hold it. Yet, I've decided, to bear it witness is enough.

      My Post-AROHO Post

      Maxine Hong Kingston came to Ghost Ranch. Like the rest of us she brought her ghosts. All of our ghosts, too many thousands to count now, are happy that here they can spread out and relax. Ghosts find freedom on the ranch.

     Tiny though she is, Maxine lifted us all up and hugging us fast around our waists, she hung us from the windows. She urged us to call out clever lines to the grandfathers as they pass by, waving, maybe applauding. But the applause is of no real significance. The important thing is not being shy, which means afraid of falling. The important thing is knowing that your elders are behind you, holding you fast with their strong sure hands.

      Later, we will take our places, inside the rooms of our own, and we will hold the tender young ones who come after with our own strong, sure hands. We will dangle them out the windows and watch their pretty hair blow in the breezes. We will say, "Tell your poem, yell your words, do not be afraid."

     And they will tell.

     And they will yell.

     Dangling unafraid.         

That was fun

    Had a wonderful time this morning as a guest on Seacoast Currents morning radio show at WSCA Portsmouth Community Radio 106.1 LP FM.

     

.@TamariTee on Seacoast Currents on Portsmouth Community Radio, Sept 10, 2015, discussing her writing. pic.twitter.com/YD7ISQnxWG

— Larry Drake (@LarryDrake2) September 10, 2015